Prized

October 1, 2011
Once again, spunky teen-midwife Gaia takes down a dystopia. After fleeing from the Enclave, Gaia finds the utopia to which her grandmother once fled (Birthmarked, 2010). Like an inverse of the Enclave, Sylum offers equality and fairness in spades, but once Gaia digs deeper she finds it's another dystopia, this time controlled by women (namely the charismatic, blind Matrarc). But something in the air kills anyone who leaves, so Gaia must stay. Immediately she finds herself in the middle of a power struggle, as she questions the status quo, befriends the women who opt out of the "marriage and ten children" regulations that protect the population, argues that men (the majority population) deserve a vote too, performs secret autopsies and unravels the mystery of why those who leave die. Whew! Plus, she juggles a love quadrangle with two brothers from Sylum and Luke, who has fled his powerful father back at the Enclave to follow Gaia across the wasteland. A satisfying repeat of the same heavy themes as the first volume (women's rights over their own bodies; an individual's rights versus the power of the community and government; the way in which the masses are drugged--now literally--into quiescent submission) is here leavened with new settings and more kissing. Faintly feminist soft science fiction for preteens and teens. (Dystopia. 12-16)

(COPYRIGHT (2011) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)

March 1, 2012

Gr 9 Up-O'Brien's follow-up to Birthmarked (Roaring Brook, 2010) begins with Gaia Stone at a lonely oasis in the wasteland, far from the Enclave she escaped. She and her infant sister, Maya, are rescued by Peter, a young man from a settlement called Sylum, which, in its own way, is as strange and harsh a place as the Enclave. Women are only one tenth of the population but they rule over the men, many of whom are sterile. Any physical contact between an unmarried man and a woman is considered attempted rape, and the man can be confined to the stocks, imprisoned, or exiled. The last means death, because everyone who leaves Sylum for more than a few days becomes fatally ill. Gaia is immediately considered to be guilty of placing her sister in harm's way and Maya is taken from her. As a woman and the community's only midwife, though, she is also highly valued. To complicate matters further, Leon has followed her from the Enclave. Gaia must sort through her feelings for him as well as those for Peter and his sensitive brother, Will. Cryptic messages left by her grandmother give both a warning and a glimmer of hope. In all, O'Brien has done a marvelous job of building a society with intricate human and environmental elements. Gaia is a very human heroine, often uncertain of her course but always determined to do right as best she can. Although this is undeniably a dystopia, it is filled with romance and beauty, but familiarity with the first book is crucial to understanding this one.-Eric Norton, McMillan Memorial Library, Wisconsin Rapids, WI

Copyright 2012 School Library Journal, LLC Used with permission.

December 1, 2011
Grades 9-12 Picking up quickly on the heels of Birthmarked (2010), this second book in the trilogy feels almost like an entirely new story. Gaia and her baby sister stumble upon the Sylum, a strange village where women are in short supply (only one in 10 babies is female) and yet hold all the power. Gaia enters into a battle of wits with the Matrarc, Sylum's feared leader, and with two potential loves she begins to investigate the science of what is behind the town's weird biology. Fans of Kristin Cashore's Graceling books should know about O'Brien's writing: these are smart, tough romances.(Reprinted with permission of Booklist, copyright 2011, American Library Association.)

January 1, 2012
Apprentice midwife Gaia (Birthmarked) escaped the totalitarian Enclave with her baby sister Maya. Now living in female-ruled Sylum, Gaia tries to adapt to unyielding gender roles while weighing two potential romances and researching the infertility of Sylum men. The fresh dystopian premise of the first volume takes on a new, equally compelling aspect here, with environmental concerns at the forefront.

(Copyright 2012 by The Horn Book, Incorporated, Boston. All rights reserved.)